PERSPECTX, INC
2447 Kiesel Ave, STE 3C
Ogden UT 84401
801.698.3404
I don’t consider myself a professional editor for the first thing, let alone a musician. Over the years I have used a variety of methods to add fitting music to animation productions. Each have their points and uses going forward. I just wanted to share some of those experiences from you and see if you have any feedback or experience that can help us as well.
We at PerspectX do quite a bit of animation that has to stand ‘on it’s …
Maya’s luminance depth preset can do a lot of things for the finished look of your animation, with a minimal expense of render time. You can use it to generate post controlled fog or darkness, depth based compositing of elements, or for a good, post controlled focal blur.
Maya’s Z Depth channel rendering has a few problems. It’s not easily read or used by your favorite compositing program, it is not anti-aliased so you may get jaggy side effects by using …
Okay, pardon the cheesy title. On any animation project we’ve got around here at PerspectX, we’ve asked that question. And the consensus is that unless your animation is a turntable, it is important to storyboard the project … If an animation requires telling a story, you should storyboard. The price of not storyboarding, is rehashing and reshaping your work or having your client do it at your expense. It’s worth a percentage of the project schedule and budget to do …
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